‘I was raised by a Kurdish activist’, filmmaker Nevine recounts. For the last 40 years her mother, Pervine Jamil, has been running her Kurdish Bureau in Brussels. Her main activity - still today at the age of 80 – is publishing her monthly newsletter, in which she communicates about the Kurdish struggle around the world.
Nevine’s childhood was dominated by her mother's dream of a free Kurdistan. Pervine inherited this dream from her father, Ekrem Cemil Pasha, one of the founders of the modern Kurdish movement. His grandfather was a pasha in Diyarbakir but after the fall of the Ottoman Empire their family was betrayed and exiled by Atatürk.
Nevine’s mother Pervine was raised in exile where she sacrificed her life for the Kurdish cause. Will she be the last in line of this dynasty to fight for their long-lasting family legacy? Will the burden of this legacy, passed on from generation to generation, fade with the filmmaker? Nevine’s dilemma is emphasized when she gives birth, and a new generation is born.
‘The Pasha, my mother and I’ is Nevine’s personal journey revisiting her rich Kurdish family history with the help of her mother Pervine.
Nevine Gerits has always been interested in telling stories. At 18 she decided to study film at the Brussels School of Arts, Sint Lukas. Nevine started her career in 2000 in television work with public and commercial production companies. Between 2000 and 2015 she went from working as a researcher, editor, and reporter to pursuing her vocation as a director. 15 years of audiovisual experience have prepared her to tell her family's story.
Through my own family I want to investigate the difficulties of inheritance. Within my family the issue has become even more relevant since my activist mother is getting older and is looking towards us, my sister and I, to continue her work, her legacy.
Over the past 20 years I have asked myself many questions related to my mother; who is she really and how did she come to be that way? As the daughter of a very passionate Kurdish activist, I have always had a love/hate relationship with Kurdistan. Gradually I began to realize that I knew very little about my mother's past, her origins. She has probably talked about it often, but our dual mother-daughter relationship resulted in selective listening from my side.
Today I want to stop time and look back to finally be able to look forward, now that the realization is fully there that I am the last in line. To preserve our identity, my family’s legacy has been passed down from generation to generation for over a century. How do I cope with this?
Meanwhile, I am convinced that this story is relevant to many. A reflection on identity for myself, but more so for all who recognize themselves in this story. How does one deal with the high expectations that are passed on from generation to generation?
Directed by Nevine Gerits
Writer – Nevine Gerits
Editor – Sabine Hubeaux
Dop – Nevine Gerits, Johan Legraie
Music – Stijn Ylode De Gezelle
Sound design – Jamie MacLean
Image post – Stéphan Higolan at Triangle7
Graphics – Annelies Vaes
Animation – Rachel Marino
Duhok International Film Festival (IQ)
Docville Int. Documentary FF, Leuven (B)
Millenium Festival, Brussels (B)
In co-production with Image Création.com (BE) & VRT
With Support from Flanders Audiovisual Fund (VAF), Centre du Cinéma et de l’Audiovisuel de la Fédération Wallonie-Bruxelles, Creative Europe Media and Tax Shelter Initiative of the Belgian Federal Government via Flanders Tax Shelter
Language: French, Dutch, Kurdish, English
Subtitles: English, Dutch, French